Aquatinta - définition. Qu'est-ce que Aquatinta
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Qu'est-ce (qui) est Aquatinta - définition

ETCHING TECHNIQUE
Sugar aquatint; Aquatinting; Acquatinta; Aquatinta
  • Demonstration sections of printed aquatint, magnified.
  • aquatint box, used to apply resin powder on the plate.
  • left
  • 1835 aquatint showing the first production of ''[[I puritani]]''. Note range of tones.
  • [[Mary Cassatt]], ''Woman Bathing'', [[drypoint]] and aquatint, from three plates, 1890–91
  • [[Goya]], No. 32 of ''[[Los Caprichos]]'' (1799, ''Por que fue sensible''). This is a fairly rare example of a print entirely in aquatint.<ref>Griffiths, 150</ref>
  • Zinc plate with powder resin.
  • [[Philibert-Louis Debucourt]], ''The Public Promenade'', 1792. Printed in colour from various plates, using etching, engraving, and aquatint.  One of the leading achievements of the French 18th-century colour-print.

Aquatinta         
·noun A kind of etching in which spaces are bitten by the use of aqua fortis, by which an effect is produced resembling a drawing in water colors or India ink; also, the engraving produced by this method.
Aquatint         
·noun ·Alt. of Aquatinta.
Aquatint         
Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone.

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Aquatint

Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. It has also been used historically to print in colour, both by printing with multiple plates in different colours, and by making monochrome prints that were then hand-coloured with watercolour.

It has been in regular use since the later 18th century, and was most widely used between about 1770 and 1830, when it was used both for artistic prints and decorative ones. After about 1830 it lost ground to lithography and other techniques. There have been periodic revivals among artists since then. An aquatint plate wears out relatively quickly, and is less easily reworked than other intaglio plates. Many of Goya's plates were reprinted too often posthumously, giving very poor impressions.

Among the most famous prints using the aquatint technique are the major series by Goya, many of The Birds of America by John James Audubon (with the colour added by hand), and prints by Mary Cassatt printed in colour using several plates.